Three Weeks

Chris Cooke
We love Jane Bom-Bane for a whole number of reasons, but not least because, for us, she’s one of those people who truly embodies the spirit of Fringe

Edinburgh Evening News
Jane Bom-Bane is either a genius or an example of care in the community gone wrong. Gloriously eccentric. Hugely entertaining songs and stories. Unmissable.

The Scotsman
One of the Fringe’s hidden gems. Wonderful magpie-ish imagination. Delightful.

Time Out
Majesy and wit

Sunday Times
Dave Gorman
Utterly refreshing – unlike anything I’ve ever seen or heard before

Three Weeks
A unique, enchanting and probably revolving mind

The Argus
Emily-Ann Elliott
Surprise, wit and charm…

The Argus
…Like a voyage into a mystical alternate world, based on sincerity and skill (Bom-Banimals)

Stewart Lee
The best show I saw on the Edinburgh Fringe this year (2012)

The Source
Jane Bom-Bane
Jane Bom-Bane is the Fringe personified – imaginative, quirky and more than a little bit endearing. As well as running the oddest café in town – the eponymous and quite brilliant Bom-Bane’s – she’s an Edinburgh veteran with madcap songs and hats to match. No, not caps, mechanical hats that come to life to illustrate her compositions. Yep, you read that right.

Pic Irene MorganBBBs


REVIEW: Bom-Banimals, Bom-Banes, Brighton ★★★★★

Jessica Marshall Mchattie

As we agreed at the end of the night, it’s pretty hard to describe Bom-Banes to someone who’s never been.

Ostensibly a café/restaurant in the St James’ area with music and entertainment, Bom-Banes is tucked away down a side-street and is promoted mostly via word of mouth.

The dining area is intimate and tiny, the Belgian beer selection is wide and the food is adventurous and tasty, but that’s not why people always come back.

The reason is, exclusively, down to the effervescent Jane Bom-Bane and her troupe of talented Family Players.

This year’s Fringe show is Bom-Banimals, and on the evening we attended, each guest in the six-person party was treated to a magical tour of the premises, featuring puppetry, song, and music.

The elaborate costumes and the immersive artwork created a feeling of otherworldliness.

As ever, it was like a voyage into a mystical alternate world, based on sincerity and skill.  Followed by a two-course meal and music, the evening was cosy and immersive, and suitable for all ages.

If you’re seeking out new favourites during the Brighton Fringe, or want to relive the magic from a previous visit, Bom-Banimals is on all month and you won’t be disappointed.

Bom-Banimals - Photo by Peter Chrisp
Each stage of Jane Bom-Bane’s meticulously crafted promenade show is a dramatic reveal. It’s a journey through a house and a tale that gathers pace and impact as it travels, as the audience of six twists and turns down the narrow stairs of the ultimate ‘artist’s open house.’

Bom-Bane’s performance café is a Brighton institution in miniature, and previous Festival shows have been themed around palindromes (2015’s Saippuakivikauppias) and the city’s lost Wellesbourne river (in 2014).

Bom-Banimals, as you might expect, features creatures of the woods, trees, and undergrowth, but at heart is a very human story. ‘How can I match your triumphant call,’ sings Jane, ‘when I can’t find my voice at all?’

This is an immersive happening taken to extremes, from the soundtrack when you enter to the décor on the banisters, to the little nested quails eggs on the tables. It crams big ideas and big things into tiny spaces and for 45 minutes we are in a strange, magical world. And what’s that awful honking noise – is something in pain?

The animals’ songs are beautifully matched to character and vary in tone – some twinkle, some honk – accompanied by small instruments: ukulele, toy piano, penny whistle. Costumes and settings have a lovely hand-made aesthetic and a highly imaginative use of materials. There is puppetry, poetry, visual jokes, and transformations as the menagerie gathers together and with their help Jane finds her voice and her skin.

Lyrics (by Jane Bom-Bane and Eliza Skelton) are meaningful and clever, the performances beguiling and there is so much to look at that it seems to be over too quickly, rather like a fairground ride that whips you through a haunted house before you’ve had time to scream. I wanted to do it all again straight away.

Instead it’s meal-time which is always a treat here. Strange that most diners happily eat the animal option (did they learn nothing?). I have the veggie choice, a swan sculpted from filo pastry. There’s a meringue snail to follow.

Bom-Banimals is perhaps a touch lighter in content than previous Bom-Bane’s shows, but the effect is just as enchanting. We end feeling properly at home with the Bom-Bane Family Players (Jane Bom-Bane and Eliza Skelton are joined by Foz Foster, Kate Daisy Grant, Raven Kaliana, Jo McDonagh, Sebas Contreras, Kate Vaughan, and Tom Walker) and rather reluctant to leave.

Lisa Wolfe

Lisa Wolfe

An independent arts producer and manager for the past ten years, Lisa works in close creative collaboration with a range of artists, currently Tim Crouch, Sue MacLaine, Liz Aggiss, Roy Hutchins and with disability arts company Carousel.

With a background in arts marketing, Lisa has worked for several arts organisations, including Brighton Festival and Brighton Dome (1989 – 2001) Chichester Festival Theatre, Hampshire Arts Marketing, South East Dance and Arts Council England South East. She was the manager of comedy theatre company Spymonkey from 2006-2008.

Guruguru at The Warren: Main House, St Peter's Church North, Brighton…/12931282.Saippuakivikauppias_a…/

Brighton Fringe 2015  Saippuakivikauppias

Saippuakivikauppias – The Soapstone Seller at Bom-Bane’s Music Cafe, Brighton, until May 31st

First published Tuesday 5 May 2015 in The Critic by Nick Aldwinckle

Symmetry takes centre-stage in this lovingly crafted blend of psychedelic folk music, puppetry and tasty Finnish cuisine, weaving a touching mythology around the world’s longest palindrome.

Saippuakivikauppias, for the very few unaware readers, is the Finnish word for a travelling salesman purveying soapstone and depicted here in the form of a small wooden man.

Our soapstone seller, a troubled soul, is obsessed with what is absent, polishing his stones to perfection, each side of the sphere matching the other.

Delicately imbued with pathos by puppeteer Daisy Jordan and the meditative music of Jane Bom-Bane, Eliza Skelton and Martin Peters, we see this extended to life, with every action our protagonist takes needing its own equivalent from another angle.

The Midgard Serpent, a beast of legend representing eternity in numerous cultures and winding its way creatively around the venue’s bowels, invades our protagonist’s dreams as he and the audience traverse Finland in search of completion.

The audio-visual segment in turn is deliciously completed by traditional servings of mackerel pate, Firewater (vodka and cranberry juice), meatballs (veggie meatball option included) and Mustikkapiirakka (blueberry pie) upstairs.

An all-round sensory treat, this thoughtful existential fable effortlessly sucks the audience into its beautifully rendered world.


Brighton Fringe 2014

The Long Lost River Song

Musical Theatre


Low Down

The Long Lost River Song traces the mythological history of the Wellesbourne River that once ran beneath the building where Bom-Banes restaurant now stands and emptied out where the Old Steine is now. For the past – I think – four Brighton Fringe Festivals, local treasure Jane Bom-Bane, has penned musicals bespoke for her little self titled restaurant venue. These brief works of ultra home-spun genius are labour intensive, detail-heavy works that are born in, live briefly and die in her magical restaurant playground. If you catch one you are blessed indeed; they sell out in a jiffy.


After a very lo-fi and infectiously charming ‘health and safety’ chat from waitress Daisy Jordan, our little group of five in total (maximum audience capacity) are ushered up the tiniest of stair cases to the very top floor of Bom-Bane’s legendary restaurant. Our first ‘course’ of song based storytelling is delivered whilst we are curled up on a double bed together, being careful not to bump our heads. It is, from the outset, magical.

For those of you new to the Bom-Banes experience, home made food served in a kooky, quirky fashion, with live music, puppetry or performance so close you can touch it, is her stock in trade. It is all offered with such lashings of love and at a such compassionate prices, I challenge even the most misanthropic amongst you to not be utterly delighted. Pop in on any given night and you are more than likely to experience Jane singing her folk inspired, off-kilter melodies accompanied by harmonium and featuring her extraordinary collection of animated hats. The precious intimacy of Bom-Banes is what makes it feel like home to performers who ordinarily play much larger houses. Stewart Lee sometimes plays here to a ‘rammed house’ of 30.

The musicals take over Jane’s whole life quite literally: We are invited into her bedroom for one act and her bathroom for another. We trace the river through rooms in the house, all the way down to the restaurant level, gathering cast members as the river itself gathers momentum. Finally we land in the restaurant area where we are fed a three course meal of simple, delicious fare sourced locally. Herbs researched for the musical (and mentioned in the songs) have been chosen for our supper with the help of Dr.Craig Jordan Baker, local foraging advisor.

At seven cast members and five audience members, the geography (and the maths of it at only £20 per ticket) is perilous and mind-boggling, but the delight is utter. For this venture, Jane has assembled a high calibre family of songstrels – Eliza Skelton, Foz Foster, Colin Uttley, Freya Bowyes, Martin Peters, Lynn Thomas and of course Jane herself. There is also a back up choral ‘staff’ of Sarah Angliss and the lovely Daisy Jordan (health and safety officer) – all accomplished artists in their own right and delighted to be a part of this carefree negative economy.

Jane’s dextrous lyricism coupled with incredibly delicate and unexpected harmonies makes this an auditory delight in itself. Add to this the delicious food and mad, love fueled creativity of the venture and it is already not to be missed. However for me, it is the precious intimacy of the experience that makes my heart leap for joy. It is the extra special – never to be repeated – shared moment between living breathing human beings that is the most golden, rare and priceless thing. This is what Bom-Banes does best.

RiP the Wellesbourne.

Long live Bom-Bane’s magical restaurant!

Reviewed by Rachel Blackman Sunday 18th May 2014


Last year’s production of Merrily on High! reviewed by Rachel Blackman:merrily on high

‘What I love most about Bom-Bane’s delicious musicals is the handspun intimacy of them; having a storyteller whisper in your ear after she has fed you in her home. In an age where entertainment is becoming more atomised, these experiences are rare and to be savoured. Sensual, bursting with eccentric humour, and utterly unmissable!

And some more here:

ED2012 Music Review: Jane Bom-Bane

Watery themes predominate in this wonderfully quirky set from Jane Bom-Bane. Accompanied by a harmonium and a ukulele, she sails through endearing stories of swimming-pool mermaids and brooding Brighton fishermen with wit and immense charm. Jane’s warmth, together with her peaceful attitude, create a relaxed and intimate atmosphere from the start, and it is with ease that she draws the audience into her performance once they begin to get a feel for the music. Tributes to Albert Einstein and Edinburgh Castle Rock in particular are creative and full of surprises. Refreshing, playful and brimming with energy, this is a truly original mixed media performance that combines music, poetry, artwork, and some very nifty hat tricks.

The Bom-Bane Supremacy

Edinburgh Fest * * * * *

reviewer: Andrew Mounstephen, Scotland on

“In a venue that can honestly be described as ‘intimate’, Jane and Nick create a kaleidoscope of sound. Songs and poems concern subjects as varied as submarines, mermaids, bad boys, Edinburgh Rock and President Pompidou. Jane’s ever-growing collection of mechanical hats completes the tapestry of sight and sound and the results are spellbinding and truly original. Bom-Bane’s playful lyrics and her singing and recitation combined Nick’s awesome multi-instrumental talents make for an enchanting 1hr 45 minutes, and at a price of £7.50, including a free glass of wine, this has to be some of the best value on the Fringe, as well as one of the best small shows. Go see at all costs!! “

Jane Bom-Bane Back-to-Back with Nick Pynn * * * *

“Bizzare, surreal, eccentric and fun. Prepare for a rollercoaster ride of sing along harmonies and hats. Jane Bom-Bane dazzles and surprises with her amusing lyrics and costumes, and … I must once again mention the hats!
There are ones that light up and ones with moving parts. What does it all mean? You’ll have to go to find out! ” Three Weeks

“Jane Bom-Bane is either a genius or an example of care in the community gone wrong.
Gloriously eccentric. Hugely entertaining songs and stories. Unmissable.***** ”
Edinburgh Evening News

“Blisteringly off-beat”
Daily Telegraph

“Majesty and wit…adventurous musicianship”
Time Out

“One of the Fringe’s hidden gems…wonderful magpieish imagination. Delightful .”
The Scotsman

“A charm and gentle wit to entrance the stoniest heart”
The Scotsman

“Weird and wonderful music” Scottish TV

“Queen of the funky harmonium”
Exploding Cinema

“Her voice seems to float and swirl over your head, the audience watching in absolute amazement. Is Jane Bom-Bane for real? Who cares when confronted with this wonderful madness”
The Stage

“Enchanting. Dive in, the water’s lovely.”
The Stage

“Mystical word and sound puzzles … fascinating.” The Scotsman

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